News
Links to all Corona Fridays performances:
Since March 20, 2020, Inna has been presenting short informal concerts from her home, dubbed “Corona Fridays.” Here are the 12 installments, thus far, of the video series – written about beautifully in this article on the Ampersand blog. Each episode features music that is newer, older – and words, of some kind – whether poetry that stands on its own, or is part of the piece, as in the case of Veronika Krausas’s “Master and Margarita” Suite.
Corona Fridays 1: Shchedrin, Chopin, and more
Corona Fridays 2: Ravel, Tchaikovsky, and Chopin
Corona Fridays 3: Beethoven, Golub, Danielpour, and more
Corona Fridays 4: Pajama Children’s Edition
Corona Fridays 5: Beethoven, Paganini-Liszt, and poetry by Jesse Ball
Corona Fridays 6: Mozart, Takemitsu, and Chopin
Corona Fridays 7: Pajama Children’s Edition
Corona Fridays 8: Tchaikovsky and Freidlin
Corona Fridays 9: Ljova and Wieck-Schumann
Corona Fridays 10: Krausas and Wieck-Schumann
Corona Fridays 11: Krausas, Ljova, and Liszt
Corona Fridays 12: Kids Edition
Corona Fridays 14: Scarlatti and Maya Miro Johnson
Corona Fridays 15: Pajama Fridays with Frida and Nathaniel
Corona Fridays 16: Chopin Etude Sandwich
Corona Fridays 17: Schumann, Rachmaninoff
Corona Fridays 18: Curtis Summerfest Young Composers Celebration
Corona Fridays 19: Pajama Fridays Edition: Schubert, Mark Carlson, Beethoven. Poetry by Helen Winslow and Carl Sandburg read by Frida and Nathaniel
Corona Fridays 20: Brahms, Tamir Hendelman, Beethoven
Corona Fridays 21: Chopin, William Carlos Williams, Richard Danielpour
Corona Fridays 22 :Beethoven, Paola Prestini, Oni Buchanan poem
Corona Fridays 23: Rilke poem and Chopin (Polonaise-Fantasie)
Corona Fridays 24: Ravel and Timo Andres
Corona Fridays 25: Friday the 13th Edition. Emily Dickinson poem, Chick Corea, Franz Liszt
Corona Fridays 26: Giraud, David Serkin Ludwig, Brahms
New Isler’s Insights Mini-Review
By Donald Isler
Voices – A Three Movement Suite for Piano and Historical Recordings by Lev “Ljova” Zhurbin
Inna Faliks, Pianist
This work should be of interest to those interested in Jewish traditional music, modern compositional techniques, and excellent pianism. The first movement was completed some years before the other two, and I liked it when I first heard it. The idea of a pianist on stage accompanying musicians from long ago struck me as wild, but exciting, and still does.
In that first movement one hears a repeated D minor chord over and over, but it has a mesmerizing effect, and leads into the body of the movement, where the pianist accompanies a 1912 recording of the famous cantor, Gershon Sirota (born 1874 – died in the Warsaw Ghetto uprising – 1943) and his choir.
Is the past, past, or is it really part of the present?! This performance makes you rethink this………
The second movement, Zhok, features Ms. Faliks playing with a recording of a klezmer trumpet player, and that, in turn, leads to the finale, Freydele, in which she plays with a 1953 recording of the Yiddish cantor (they had female cantors in those days?!) and actress, Freydele Osher. The Suite concludes with a calmer, smaller version of the D minor motive which one heard at the beginning of the work.
A very big part of the success of this performance is the fact that the pianist, Inna Faliks, who commissioned Voices, is so impressive. She has strength, technique, intensity, and an ear for interesting sonorities that’s constantly at work.
Well worth hearing!
Donald Isler
Ampersand blog covers Inna’s Corona Fridays – keeping performances alive during Covid 19
by Polina Cherezova
“Musicians find a way to connect to the given unprecedented moment,” Faliks said. “We all feel that what we are doing is needed, important, wanted in this dramatic and desperate time.”
Corona Fridays 5th episode
This episode of my weekly Spring 2020 concerts from my home features many of the poets I have worked with over the years.
This one features a reading of work the founding poet of Music/Words – Jesse Ball.
Program is Beethoven Fantasie op 77, Corigliano Fantasia on an Ostinato and Paganini-Liszt La Campanella.
Los Angeles Times Op-Ed: “Hashtags from my Soviet childhood”
by Inna Faliks
“We now live in a realm of buzzwords, hashtags, slogans that can seduce us with the neatness of tidily packaged concepts in our desire for change. But “equality,” “revolution” and “proletariat” are rendered meaningless in environments where they are overused. We’ve entered an age of Newspeak – though, unlike in “1984,” this is not part of government indoctrination but our own doing.”
Live Music in the Times of Corona
Inna Faliks live streams piano performances from her home every Friday, PST on FB live and IG live, for the duration of the Covid-19 outbreak. Each livestream includes poetry to echo her Music/Words series, as well as new music, standard repertoire and conversation. Previous installments can be found here.
MD Theatre Guide
by Susan Brall
“Faliks captured the complexity of this piece on her piano as she deftly moved her long delicate fingers across the keyboard, never missing the nuances of the composer. ”
New York Classical Review
by David Wright
“Pianist Faliks worked expertly at the keys, the pedals, and inside the instrument to produce the volatile mix of roars, pings, and misty resonances in this world premiere of Johnson’s score.”
ConcertoNet.com – The Classical Music Network
by Harry Rolnick
“That wondrous virtuoso pianist Inna Faliks has commissioned music to be written for the Ukrainian-Russian cult novel–symbolic, funny, sarcastic, allegorical and damned frustrating–The Master and Margarita, some of which was played here.”