Cinemusical Review

by Steven A. Kennedy

Reimagine: Beethoven and Ravel

“[Works by Prestini, Andres, and Childs] provide some windows into Faliks’ technical virtuosity, … [highlighting] her interpretive, lyrical playing well.  This ample collection of pieces gives listeners a good appreciation of her skills.

Faliks performances are solid here and the works make extensive exploration of the rich sound of the piano which is captured well in this release.  These re-imaginings make a fine introduction to Faliks’ programming approaches and the Beethoven performances should stand well against any others.”

Full Review

Atlanta Audio Club Review

by Phil Muse

The Schumann Project, Volume 1

“Faliks meets this challenge admirably, using her own impressive technique and sense of proportion to position them for optimal effect. The result is often very moving, as in No.3, which seems like a demonic waltz, and No.2, a feverish dream. Consider the way the luminous Posthumous Variation No.5 in D-flat major allows the performer to reach the D-flat major finale without noticeable strain. Or the way Posthumous Variation No.4 sounds like a lament, making it the perfect chaser for the preceding variation which comes across as a funeral march. Great stuff – and Faliks knows just where to place the emphasis.”

Atlanta Audio Club Review

By Phil Muse

BEETHOVEN: PIANO SONATA NO.32, POLONAISE, FANTAISIE, “EROICA” VARIATIONS

“Inna Faliks, an American pianist of Ukrainian origin, has already won many honors in competitions, given numerous master classes, and taken up residencies in conservatories and universities on three continents. What distinguishes her from other keyboard artists with impressive resumes is a keen perception of the harmonic and physical structure of the music she plays and an unerring ability to convey this to us in terms of emotion, clarity, and style. She puts them over in one irresistible package better than anyone you are likely to encounter. The fact that she is a Yamaha Artist also plays a part, as the beautifully defined registration of her instrument seems to free her to concentrate on matters of interpretation and communication.”

New Isler’s Insights Mini-Review

By Donald Isler

Voices – A Three Movement Suite for Piano and Historical Recordings by Lev “Ljova” Zhurbin
Inna Faliks, Pianist

This work should be of interest to those interested in Jewish traditional music, modern compositional techniques, and excellent pianism. The first movement was completed some years before the other two, and I liked it when I first heard it. The idea of a pianist on stage accompanying musicians from long ago struck me as wild, but exciting, and still does.

In that first movement one hears a repeated D minor chord over and over, but it has a mesmerizing effect, and leads into the body of the movement, where the pianist accompanies a 1912 recording of the famous cantor, Gershon Sirota (born 1874 – died in the Warsaw Ghetto uprising – 1943) and his choir.

Is the past, past, or is it really part of the present?! This performance makes you rethink this………

The second movement, Zhok, features Ms. Faliks playing with a recording of a klezmer trumpet player, and that, in turn, leads to the finale, Freydele, in which she plays with a 1953 recording of the Yiddish cantor (they had female cantors in those days?!) and actress, Freydele Osher. The Suite concludes with a calmer, smaller version of the D minor motive which one heard at the beginning of the work.

A very big part of the success of this performance is the fact that the pianist, Inna Faliks, who commissioned Voices, is so impressive. She has strength, technique, intensity, and an ear for interesting sonorities that’s constantly at work.

Well worth hearing!

Donald Isler

LA Opus Reviews Hollywood Piano Trio at the South Bay Chamber Music Society

by David J Brown

 

“…the improvisatory freedom of the Trio’s playing made particularly relishable the harmonic and melodic twists and turns that Beethoven executes in the first movement’s development section—which seem at the same time exhilaratingly unexpected and immediately inevitable.”

 

“…the concisely tensile Finale, kicked off by an imperiously arresting handling of the opening flourish by Ms. Faliks, was duly navigated back in masterful fashion through echoes of its predecessor to the final haunting reappearance of the first movement main theme…”

 

“…their combination of powerful emphasis and observation of the Allegro moderato marking enabled a truly exultant acceleration into the final Presto that set the seal on a fine performance of one of the greatest piano trios in the repertoire.”

 

  1. La Campanella, Paganini - Liszt Inna Faliks 4:53
  2. Rzewski "The People United Shall Never Be Defeated" (excerpt, improvised cadenza) Inna Faliks 8:36
  3. Beethoven Eroica Variations Inna Faliks 9:59
  4. Gershwin: Prelude 3 in E-flat Minor Inna Faliks 1:25
  5. Mozart Piano Concerto #20 - II Inna Faliks with Chamber Orchestra of St. Matthews 10:27
  6. Gaspard de la Nuit (1908) : Scarbo - Ravel Inna Faliks 9:07
  7. Sirota by Lev 'Ljova' Zhurbin Inna Faliks 7:45