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Review: Polonaise-Fantaisie in American Record Guide

Inna’s new recording, Polonaise-Fantaisie: The Story of a Pianist, was recently reviewed in American Record Guide! James Harrington calls the recording “poignant, humorous, and perceptive…a complete picture of the wide range of repertoire [Faliks] excels at.”

Read the full review below:


SHCHEDRIN: Basso Ostinato; BACH: Prelude & Fugue in G-sharp minor; MOZART: Fantasia
in D minor; FREIDLIN: Ballade in Black & White; LISZT: The Maiden’s Wish; La Campanella;
CHOPIN: Polonaise-Fantasy; GERSHWIN: 3 Preludes; CARTER: Retrouvailes;
TCHAIKOVSKY: Nocturne; BIRTWISTLE: Oockooing Bird

Inna Faliks, p; Rebecca Mozo, narr Delos 3540 [2CD] 98 minutes

This is a unique program, combining an autobiography with music linked to that story.
Ukrainian-born Faliks is the head of the piano department at UCLA and a busy concert
pianist with a long established interest in presenting programs that include poetry and
spoken word interspersed with wide-ranging piano repertoire. I attended one of those
programs in New York several years ago, and have favorably reviewed two of her records
(Rachmaninoff, Ravel, Pasternack, MSR 1333, J/F 2010; Beethoven, MSR 1446, M/A 2014).

Faliks wrote the texts, which are convincingly delivered by Rebecca Mozo. Not once did I
feel that she was telling Faliks’s story; it was Faliks telling her own story. Poignant,
humorous, and perceptive to anyone who has ever pursued music, the spoken words allow
you to get to know Faliks far beyond other pianists you may listen to. That is both the
strength and a long-term weakness in this release. After hearing the entire recording three
times, I pretty much knew the story of her life, from her earliest musical and family
memories in Odessa, through immigration to the US, her training with memorable teachers
and mentors, her early successes and the beginning of her international career. Her story
here ends with a reunion and eventual marriage to a childhood sweetheart and some
thoughts on the value of music.

The piano pieces are very well performed and extremely well selected and ordered to fit
into the autobiography. At this point though, I am ready to return to the music alone, many
times. Undoubtedly I will regularly be reminded of events and characters in her compelling
story as I listen, especially to the title work. It was Chopin’s Polonaise-Fantasy that her
dying piano teacher asked her to play, but she had never learned it. After he died she did,
and the performance here is as good as any I have heard. Her Gershwin is also memorable
and has as natural a feel as any pianist raised and trained in the US would have. There are
some old favorites here, like the Liszt arrangements plus a premiere recording given to her
by one of her composition teachers (Freidlin). The program is a complete picture of the
wide range of repertoire she excels at. After hearing her story and listening to her playing, I
can imagine that she is a fantastic teacher as well.


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