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Review of Inna at IKIF-Mannes

“Ms. Faliks’ virtuosity in La Campanella was truly dazzling, reminiscent of great Liszt players…”

Donald Isler reviews Inna’s recent performance in The Classical Music Guide as part of the recent 14th International Keyboard Institute and Festival at Mannes College.

Sequenza21.com Review: “A Night of Words and Music at Cornelia Street Cafe”

Written by Kyle Lynch

“Last Sunday evening, pianist Inna Faliks closed the fourth season of her Music/Words series at the West Village institution, Cornelia Street Café, in New York City. It was an intimate affair in the Café’s cozy basement theatre, and Inna was joined by soprano Samatha Malk, Brazilian pianist and singer Clarice Assad, and poet Irina Mashinski. The potpourri of solo piano, songs, and poetry readings hearkens back to old European salons of the turn of the century. Yet the evening was thoroughly enjoyable and modern…” READ FULL ARTICLE.

Music/Words: The Sensuousness of Spring

*NEW as of April 21: Read the preview article in Sequenza21.*

Music/Words continues its fourth season on Sunday, April 22, 2012, at 6:00 pm with a performance at New York’s Cornelia Street Cafe featuring Inna Faliks alongside guest Clarice Assad at the piano along with soprano Samantha Malk and poet Irina Mashinski. The program will explore the sensuousness of early Schoenberg (with the Stefan Georgy poetry used in the songs), along with the passion of Mashinski’s poetry and Assad’s Brazilian music. The program includes Schoenberg’s Drei Klavierstucke, opus 11; his songs from Book of Hanging Gardens; and various improvisations by Ms. Assad based on Brazilian piano music. The Cornelia Street Café (www.corneliastreetcafe.com) is located at 29 Cornelia Street, Greenwich Village, NYC. Tickets are $20 and are available by calling 212-989-9319.

In this performance, Ms. Mashinski will tailor her readings to Ms. Assad’s and Ms. Faliks’ musical selections, finding poems from her own works that connect with the music. Music/Words will be featured in regular live broadcasts throughout the month of April on WFMT Radio in Chicago.

Pianist Clarice Assad

Described by the San Francisco Chronicle as a “serious triple threat,” and “an arranger and orchestrator of great imagination” (SF Classical Voice), Clarice Assad (www.clariceassad.com) is making her mark in the music world as a pianist, arranger, as a vocalist and as a composer.  A versatile artist of musical depth and sophistication, her works have been published in France (Editions Lemoine), Germany (Trekel), and in the United States (Virtual Artists Collective Publishing), and have been performed in Europe, South America, the United States and Japan. Miss Assad’s music often have a thematic core, and explore the physical and psychological elements of the chosen story or concept. With a repertoire in continuous expansion, her works are sought out by musicians both in the classical and the jazz realms.

South African soprano Samantha Malk recently returned from a concert tour around China, Vietnam and Thailand.  At the end of 2010, she was thrilled to make her Weill Hall debut recital at Carnegie Hall.  During that summer, she finished her engagement as a young artist for the Steans Institute at the Ravinia Music Festival in Chicago.  In July 2010, the International Contemporary Ensemble invited Samantha as the guest soprano in a live broadcast on WQXR Classical Radio New York as well as a two-day music festival celebrating the music of Edgar Varèse at Alice Tully Hall.  Earlier that year, during an alumni residency, Samantha performed songs of Debussy and Schumann lieder at the Britten Pears Music Festival.  Her operatic roles include Zerlina in Don Giovanni, Nannetta in Falstaff, Belinda in Dido and Aeneas and Susanna in Le nozze di Figaro.  After immigrating to the United States, Samantha came to study music, earning her Bachelor of Music at Indiana University and her Master of Music at Manhattan School of Music.

Bilingual poet and translator Irina Mashinski has authored seven books of poetry in Russian, and her most recent collections are Volk (Wolf) and Raznochinets pervyi sneg i drugie stikhotvoreniia (Raznochinets First Snow and Other Poems). Her work has appeared in a variety of literary journals and anthologies, including Poetry International, Fulcrum, Zeek, The London Magazine, and An Anthology of Contemporary Russian Women Poets. She is the co-editor of the forthcoming Anthology of Russian Poetry from Pushkin to Brodsky, as well as co-founder and co-editor of the Cardinal Points literary journal, published in the U.S. in English and Russian. She also serves on the editorial board for the NYC based translation project “Ars-Interpes.” Irina Mashinski is the winner of several literary awards, including the First Prizes at the Russian America (2001), Maximilian Voloshin (2003), and other poetry contests. Her poetry has been translated into English, French, Italian, Spanish, and Serbian.

Lucid Culture Review of Music/Words, February 2012

“Cross-Pollination at the Gershwin with Inna Faliks” from Lucid Culture:

Virtuoso pianist Inna Faliks’ latest installment of her innovative Music/Words series last night was a throwback to the Paris salons of the late 1800s, in the aptly lowlit atmosphere of the back room at the Gershwin Hotel. As she describes it, the concept of the series is to match music with poetry that shares a mood or evokes similar emotions, rather than referring to specific ideas or events. As an attempt to link two worlds that otherwise don’t usually intersect, it’s an admirable idea. Musically, this program was extremely diverse, spanning from classical to late Romantic, with Faliks pulling one of the obscurities she’s so fond of out of the woodwork as well. Lyrically, it was surreal, impactful, and relevant. Poet Tom Thompson doesn’t waste words: he finds the logic in cruel irony, assembles scenes vividly yet economically, and makes connections – like the commonalities in the desires of a child at play and a hungry spider – that might seem farfetched at face value but make perfect sense as he describes them (spiders got a lot of time this time out). “The lake is tired of being a mirror…it closes its one historical eye before we ever get to use it,” he observed bleakly. In an understatedly moving account of his son’s experience with seizures, Thompson coldly acknowledged how in one culture, people who suffer from them get killed, while in another they’re worshipped. A New York water tower became a “wholly owned subsidiary” of the dead leaves that get under the screws that hold it together; people and insects in Central Park shared a fate brought on by their inability to escape their desires. If insightfully ominous, loaded imagery is your thing, Thompson has a couple of collections out from alicejamesbooks that you should investigate.

The music was good too. In between trios of poems, Faliks alternated with pianist Dimitri Dover, who warmed up the performance with the Haydn’s uncharacteristically pensive Sonata in C Minor., Hob. 16:20. A bit later, he played three selections from Prokofiev’s Romeo and Juliet, the best being the anxiously stately “Montagues and Capulets” scene followed by Mercutio’s scampering cinematics. He joined Faliks for a perfectly synchronized four-handed take of another uncharacteristic piece, Liszt’s reflective, remarkably terse Symphonic Poem #4: Orpheus, eventually ending the show with three intuitive, energetic Debussy preludes and then a rather stern take on Chopin’s Scherzo No. 2, Op. 31.

Although the program put her on the bill lower than Dover and Thompson, Faliks was still the star of this show, playing with her signature blend of lithe grace and raw power, particularly as she made her way through the nocturnal scenes of Liszt’s Harmonies du Soir, and then the composer’s transcription of Paganini’s La Campanella, which she imbued with playful charm and then maintained it all the way through the dance’s knotty, rapidfire thicket of staccato. Her obscurity du jour turned out to be 20th century Russian composer Rodion Shchedrin’s Basso Ostinato, a fascinatingly biting, expansively acidic prelude that built from a walking bassline to echoes of Alban Berg and Vincent Persichetti. Faliks’ next program in the Music/Words series, on April 22 at 7:30 PM at the Cornelia Street Cafe with Brazilian pianist Clarice Assad and poet Irina Mashinski promises to be equally intriguing.

Inna joins pianists Gabrielian and Tahmizian in Liszt Celebration

Celebrating Franz Liszt: Solo and Seldom Heard Four Hand Music will take place on Wednesday, February 29, 2012 at 7:30 PM at Yamaha Piano Salon, 689 Fifth Avenue, 3rd Floor, in New York City. This concert, featuring pianists Inna Faliks, Tanya Gabrielian, and Emma Tahmiziàn, is co-hosted by Pro Musicis and Yamaha Artist Services and will include Liszt’s Transcendental Etudes, transcriptions of symphonic poems, and the Dante Sonata. Tickets are $25 at the door for the concert and a post show reception. Reservations can be made by contacting Pro Musicis 212-787-0993or yasi@yamaha.com. This concert will be webcast live at http://www.yamaha.com/yasi/multimedia.html.

Program:

Bach-Liszt Prelude and Fugue for Organ in A Minor
Gounod-Liszt Waltz from Faust
Orpheus (from Symphonic Poems, trans. Liszt for piano 4 hands)
From the Transcendental Etudes: Numbers 10 and 9
La Campanella (From Six Grand Etudes after Paganini, # 3)
Prometheus (from Symphonic Poems, trans. Liszt for piano 4 hands)
Apres une Lecture de Dante -Fantasia quasi Sonata
Les Preludes (from Symphonic Poems, trans. Liszt for piano 4 hands)

 

Inna joins Dimitri Dover and Tom Thompson at next Music/Words

Music/Words, an interdisciplinary series founded and curated by Inna Faliks, continues its fourth season on Friday, February 10, at 7:30pm with a performance at New York’s Gershwin Hotel featuring Faliks at the piano along with guest pianist Dimitri Dover and poet Tom Thompson. The varied program will include solo works of Haydn (Sonata in C minor)  Prokofiev (Romeo and Juliet), Chopin (Scherzo # 2), Debussy (selected Preludes), and Liszt (transcriptions, etudes and the four-hand Symphonic Poem “Orpheus”). The Gershwin Hotel (www.gershwinhotel.com) is located at 7 E. 27th street in New York. Tickets are $20 and are available at the door. More info is at www.musicwordsnyc.com

2012-13 Season News from Inna Faliks

Inna is excited about the upcoming 2012-13 season which takes her to her favorite venues from Chicago to Paris and brings her to Minnesota and to the Peninsula Festival (Wisconsin). Inna is also excited about her upcoming collaboration with violinist Jasmine Lin in 2012-13. More details to come soon, including dates and detailed information, on all of these performances.

Meanwhile, Tom Thompson and Irina Mashinski have been announced as featured poets for Inna’s upcoming Music/Words series performances in 2012:

Poet Tom Thompson will appear Feb 10th at the Gershwin Hotel, NYC; Inna is joined by Dimitry Dover, piano four handsPoet Irina Mashinski will appear on April 22nd at Cornelia Street Cafe, NYC, with Inna on piano. You can read more about Thompson and Mashinski below.

Music/Words will once again be featured on 98.7 WFMT-Chicago on April 16th and 23rd, both at 8 pm.

Read more about the series and about Thompson and Mashinski at www.musicwordsnyc.com

Nov. 18 Season Opener for Music/Words NYC

 

Cecily Parks

Music/Words, an interdisciplinary series founded and curated by Inna Faliks begins its fourth season on Friday, November 18, at 7:30pm with a performance at New York’s Yamaha Artist Services Piano Salon featuring Faliks at the piano along with readings by poet Cecily Parks. The varied program will include C.P.E. Bach’s Sonata in a minor, Chopin’s Barcarolle opus 60, Lera Auerbach’s “Ludwig’s Alptraum, NYC based composer Ljova (Lev Zhurbin)’s Sirota, and Beethoven’s Sonata opus 57, “Appassionata.” Yamaha Artist Services Piano Salon is located at 689 5th Ave. in New York. Tickets are $20 and are available by calling 212-339-9995.

MUSIC/WORDS celebrates links between poetry and music by presenting collaborations between exciting solo performers and acclaimed contemporary poets in the form of a live recital/reading. Inna Faliks created the series in order to foster a chance for poets and musicians to work together and inspire each other, as well as to allow different audiences to come together for these musical-literary events. New published and unpublished works are read alongside performances of music old and new and connected by content, intuition, and inspiration. According to Faliks, “I pair performers together based on their personalities and styles, and encourage them to choose the poems and music in varied ways that are strongly and intuitively connected.” In this performance, Ms. Parks will tailor her readings to Ms. Faliks’ musical selections, finding poems (by herself and by other poets) that connect with the music. Music/Words will be featured in regular live broadcasts throughout the month of April 2012 on WFMT Radio in Chicago.

Cecily Parks is the author of the poetry collection Field Folly Snow and the chapbook Cold Work. Her poetry, reviews, and essays appear in Boston Review, Kenyon Review, Orion, The Yale Review, and elsewhere.

Upcoming Music/Words performances for 2012 are:

  • Feb 10th at the Gershwin Hotel,NYC, with Dimitry Dover and Inna Faliks piano four hands, poet TBA.
  • April 22nd, Cornelia Street Cafe, NYC, with Inna Faliks piano, and Irina Mashinski, poet.

 

 

 

 

A Liszt Evening

Inna Faliks

Ju-Ying Song

Tanya Gabrielan

On February 29, 2012 at 7:30pm, Inna serves as artistic director/curator for a Liszt Festival, featuring Faliks on piano along with pianists J.Y. Song and Tanya Gabrielan. The program includes Liszt solo works, transcriptions and four hand/two piano repertoire. Ju-Ying Song‘s numerous awards include Pro Piano Artist of the Year, Pro Musicis International Award, Grand Prize at Palm Beach Invitational Piano Competition, $25,000 Christel Award from American Pianists Association, Sudler Prize for outstanding achievement in the arts from Stanford University, and Petschek Award, Juilliard’s highest honor awarded to a pianist. Hailed by the London Times as “a pianist of powerful physical and imaginative muscle,” Tanya Gabrielian combines emotional vulnerability with thoughtful artistry, captivating audiences worldwide with her gripping, commanding performances. The concert will be held at Yamaha Artist Services Piano Salon, 689 5th Ave., New York City. 212-339-9995 for more information.

October and November 2011 Appearances in New York and Chicago

On October 21 and  23, Inna will perform a varied program at Chicago’s Music in the Loft including Schubert’s Sonata in a minor opus 143, Liszt’s Transcendental Etudes, numbers 10 and 11, Sofia Gubaidulina’s Chaconne, and Beethoven’s Appassionata sonata opus 57. Music in the Loft, founded in 1992, is dedicated to advancing the professional careers of today’s finest young musicians by providing a venue for the performance of chamber music in an intimate and acoustically superior setting. Performances will be held on Friday, October 21 at 8pm and Sunday October 23, at 3pm. Tickets are $25 ($10 for students) are area available at www.musicintheloft.org

 

Cecily Parks

And on November 18, Inna’s Music/Words series returns with Ms. Faliks on the piano along with Cecily Parks, poet. Cecily Parks is the author of the poetry collection Field Folly Snow and the chapbook Cold Work. Her poetry, reviews, and essays appear in Boston Review, Kenyon Review, Orion, The Yale Review, and elsewhere. The program will include works by CPE Bach, Debussy, Rameau and Beethoven. Pianist Inna Faliks created the series Music/Words in order to foster a chance for poets and musicians to work together and inspire each other, as well as to allow different audiences to come together for these musical-literary events. The concert will be held at Yamaha Artist Services Piano Salon, 689 5th Ave., New York City. Tickets are $20. 212-339-9995 for more information.